Jay-Z tore it up at Glastonbury on the weekend, silencing critics such as Noel Gallagher who proceeded to rubbish Jay-z’s selection as the headliner. I read and laughed as people wrote into London papers saying how s**t Jay-Z was. First of all most of these people probably couldn’t distinguish between his songs let alone give any reason for using such derogatory/ strong language other that ‘Money, Ho’s and Clothes’ and in Jigga’s words ‘What kind of facts are those?’ Even if you don’t listen to a certain type of music is it right to say it is s**t, I mean a multi-platinum artist like Jay Z???? Most of the bands that play Glastonbury seem only to be big in this little island called the UK and could no way compete in terms of fans or records sold. I mean I understand the festival is meant to be about guitar bands but what about sheer entertainment and showmanship? Well I guessed Jigga showed up and showed off! Now I am no whelly wearer or a camp out side for a gig type of girl but the pr
The biannual Future Generation Art Prize is the only prize for the young generation of artists with a global dimension and guided by an open, free, and democratic application process (online). Supported by an eminent board, distinguished jury, and outstanding selection committee, the Prize brings together the best of the art world to champion a new generation of artists. Together with its award of $100,000 and commitment to commission new works, the Prize sustainably supports artists around the globe. Apply here: https://futuregenerationartprize.org Closing Date: 29th June 2018
an exhibition curated by Nwafor Uju Nkiruka Jane OPENING: THURSDAY 1ST OCTOBER 2009 VENUE: UWC/ROBBEN ISLAND MUSEUM MAYIBUYE ARCHIVE (BESIDE UWC LIBRARY) Precedents and Currents Media reports have shown that demonstrations over poor public service in South Africa have soared since the past few years. In some of the protests, police fired rubber bullets at protesters who were demonstrating over the grim housing conditions they are forced to live in. Other upsetting riots, where foreigners were either killed or have their properties looted and burnt, featured recurrent elements of xenophobia. These instances of violent or sometimes peaceful protests inspired the theme of this exhibition. Precedents and Currents is an exhibition that intends to see how these recent occurrences relate to the violent protests that happened during the apartheid era. One may assume that many were hopeful for improved and positive change in their lives and living conditions with the new democracy but
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