Introducing 'African Journal of History and Culture (AJHC)'

-
The African Journal of History and Culture (AJHC) publishes high-quality solicited and unsolicited articles, in all areas of the subject. All articles published in (AJHC) will be peer-reviewed. The following types of papers are considered for publication:

•Original articles in basic and applied research.
•Critical reviews, surveys, opinions, commentaries and essays.

Our objective is to inform authors of the decision on their manuscript(s) within four weeks of submission. Following acceptance, a paper will normally be published in the next issue.

Instruction for authors and other details are available on our website www.academicjournals.org/AJHC. Prospective authors should send their manuscript(s) to African Journal of History and Culture (AJHC)

Open Access
One key request of researchers across the world is unrestricted access to research publications. AJHC is fully committed Open Access Initiative by providing free access to all articles (both abstract and full PDF text) as soon as they are published. We ask you to support this initiative by publishing your papers in this journal.

Invitation to Review
AJHC is seeking for qualified reviewers as members of the review board team. AJHC serves as a great resource for researchers and students across the globe. We ask you to support this initiative by joining our reviewer's team. If you are interested in serving as a reviewer, kindly send us your resume to ajhc@acadjourn.org

Publication Alert
We will be glad to send you a publication alert showing the table of content with link to the various abstracts and full PDF text of articles published in each issue. Kindly send us an email if you will like to receive publication alert.


E-mail: ajhc@acadjourn.org
www.academicjournals.org/AJHC

Comments

Post a Comment

Popular posts from this blog

Jay-Z live at Glastonbury 2008

-
Jay-Z tore it up at Glastonbury on the weekend, silencing critics such as Noel Gallagher who proceeded to rubbish Jay-z’s selection as the headliner. I read and laughed as people wrote into London papers saying how s**t Jay-Z was. First of all most of these people probably couldn’t distinguish between his songs let alone give any reason for using such derogatory/ strong language other that ‘Money, Ho’s and Clothes’ and in Jigga’s words ‘What kind of facts are those?’ Even if you don’t listen to a certain type of music is it right to say it is s**t, I mean a multi-platinum artist like Jay Z???? Most of the bands that play Glastonbury seem only to be big in this little island called the UK and could no way compete in terms of fans or records sold. I mean I understand the festival is meant to be about guitar bands but what about sheer entertainment and showmanship? Well I guessed Jigga showed up and showed off! Now I am no whelly wearer or a camp out side for a gig type of girl but the pr
Read more

Closing soon...Future Generation Art Prize 2019

-
Image
The biannual Future Generation Art Prize is the only prize for the young generation of artists with a global dimension and guided by an open, free, and democratic application process (online). Supported by an eminent board, distinguished jury, and outstanding selection committee, the Prize brings together the best of the art world to champion a new generation of artists.  Together with its award of  $100,000  and commitment to commission new works, the Prize sustainably supports artists around the globe. Apply here:  https://futuregenerationartprize.org Closing Date: 29th June 2018
Read more

What exactly is an "Afropolitan"?

-
by Taiye Tuakli-Wosornu culled from http://afropolitans.typepad.com/ It’s moments to midnight on Thursday night at Medicine Bar in London. Zak, boy-genius DJ, is spinning a Fela Kuti remix. The little downstairs dancefloor swells with smiling, sweating men and women fusing hip-hop dance moves with a funky sort of djembe. The women show off enormous afros, tiny t-shirts, gaps in teeth; the men those incredible torsos unique to and common on African coastlines. The whole scene speaks of the Cultural Hybrid: kente cloth worn over low-waisted jeans; ‘African Lady’ over Ludacris bass lines; London meets Lagos meets Durban meets Dakar. Even the DJ is an ethnic fusion: Nigerian and Romanian; fair, fearless leader; bobbing his head as the crowd reacts to a sample of ‘Sweet Mother’. Were you to ask any of these beautiful, brown-skinned people that basic question – ‘where are you from?’ – you’d get no single answer from a single smiling dancer. This one lives in London but was raised in Toronto
Read more